{"id":111293,"date":"2025-09-11T00:00:00","date_gmt":"2025-09-11T00:00:00","guid":{"rendered":"https:\/\/archwaybookshop.co.uk\/?post_type=product&p=111293"},"modified":"2025-09-03T14:41:59","modified_gmt":"2025-09-03T14:41:59","slug":"the-writers-room","status":"publish","type":"product","link":"https:\/\/archive.archwaybookshop.co.uk\/product\/9781783969098","title":{"rendered":"The Writer’s Room"},"content":{"rendered":"

What is it that so fascinates us about the spaces where writers work? <\/strong><\/p>\n

\u00c2\u00a0<\/strong><\/p>\n

Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination? <\/strong><\/p>\n

\u00c2\u00a0<\/strong><\/p>\n

The rooms of certain writers are mythologised almost as much as the works themselves:\u00c2\u00a0the Bront\u00c3\u00ab’s study in the parsonage; Virginia Woolf’s garden room at Monks House; Sigmund Freud’s study, with its famous couch. <\/strong>They are preserved in writers’ houses or recreated in museums, pictured and described in newspaper columns and on Instagram, seemingly standing in for the labour of writing itself.<\/p>\n

\u00c2\u00a0<\/p>\n

And yet writers, old and new, have worked in all kinds of places: in\u00c2\u00a0hotels,\u00c2\u00a0bedsits and boarding houses, at libraries,\u00c2\u00a0in bathrooms\u00c2\u00a0and while on the move. From Emily Dickinson’s\u00c2\u00a0hidden writing pocket\u00c2\u00a0to Lauren Elkin writing on her phone\u00c2\u00a0on the bus,\u00c2\u00a0from Maya Angelou in\u00c2\u00a0hotel rooms and Ernest Hemingway in Parisian caf\u00c3\u00a9s\u00c2\u00a0to the founders of Women of Color Press around their kitchen tables,\u00c2\u00a0writer and academic\u00c2\u00a0Katie da Cunha Lewin dismantles the familiar furniture of the writer’s room and opens it up.<\/p>\n

\u00c2\u00a0<\/p>\n

Blending cultural critique with the personal and historical,\u00c2\u00a0The Writer’s Room\u00c2\u00a0<\/em>takes us on a fascinating journey through the hidden worlds that shape the books we love.\u00c2\u00a0<\/strong><\/p>\n

?<\/strong><\/p>\n

‘A reverie – part pilgrimage, part personal reflection – on the places where writers find the right words.’ Clare Hunter, author of Threads of Life\u00c2\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

What is it that so fascinates us about the places writers work and live?<\/strong><\/p>\n

\u00c2\u00a0<\/strong><\/p>\n

Discover the hidden worlds that shape the books we love.<\/strong><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[142],"product_tag":[517,5439],"class_list":["post-111293","product","type-product","status-publish","product_cat-general-non-fiction","product_tag-biography-arts-entertainment","product_tag-the-arts","pa_book_author-katie-da-cunha-lewin","pa_cover-hardback","pa_dewey-809-edition23","pa_imprint-elliott-thompson","pa_language-english","pa_pages-8341","pa_publisher-elliott-thompson","pa_readership-general-trade-code-k","first","onbackorder","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nThe Writer's Room<\/title>\n<meta name=\"description\" content=\"What is it that so fascinates us about the spaces where writers work? \u00c2\u00a0Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination? \u00c2\u00a0The rooms of certain writers are mythologised almost as much as the works themselves:\u00c2\u00a0the Bront\u00c3\u00ab's study in the parsonage; Virginia Woolf's garden room at Monks House; Sigmund Freud's study, with its famous couch. They are preserved in writers' houses or recreated in museums, pictured and described in newspaper columns and on Instagram, seemingly standing in for the labour of writing itself.\u00c2\u00a0And yet writers, old and new, have worked in all kinds of places: in\u00c2\u00a0hotels,\u00c2\u00a0bedsits and boarding houses, at libraries,\u00c2\u00a0in bathrooms\u00c2\u00a0and while on the move. 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Clare Hunter, author of Threads of Life\u00c2\u00a0\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Writer's Room\" \/>\n<meta property=\"og:description\" content=\"What is it that so fascinates us about the spaces where writers work? \u00c2\u00a0Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination? \u00c2\u00a0The rooms of certain writers are mythologised almost as much as the works themselves:\u00c2\u00a0the Bront\u00c3\u00ab's study in the parsonage; Virginia Woolf's garden room at Monks House; Sigmund Freud's study, with its famous couch. They are preserved in writers' houses or recreated in museums, pictured and described in newspaper columns and on Instagram, seemingly standing in for the labour of writing itself.\u00c2\u00a0And yet writers, old and new, have worked in all kinds of places: in\u00c2\u00a0hotels,\u00c2\u00a0bedsits and boarding houses, at libraries,\u00c2\u00a0in bathrooms\u00c2\u00a0and while on the move. 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